RECORDING:
Solid State Logic 4000E console (40 channels) Pro Tools HDX – Mac Mini i7 – Avid 16/16 HD I/O analog (x3) (total 48ch in/out) – Digidesign 192 I/O – UAD-2 Satelite – Black Lion Audio Micro Clock mk2 – Furman M-10X E
MONITORING:
Amphion Two18 monitors – Amphion AMP700 Stereo amplifier – Genelec 8240APM – Genelec 7360APM monitors – Yamaha NS10 monitors – Avatone 5c Monitors – Behringer Powerplay P16-I – Behringer P16-M Personal mixer (x4)
PREAMPS:
GML 8302 – API Audio 512c – CAPI VP-26 (x4) – CAPI VP312 DI – CAPI VP-312 – Audient ASP800 (8 channels) – DBX 586 (2 channels) – Focusrite ISA TWO (2 channels)
OUTBOARD:
API Audio 5500 Dual Equalizer – 1176 LN SolnaSound Custom compressor (x2) – DBX 160X compressors (modified by Revive Audio) (x2) – DBX 162SL Stereo Compressor/Limiter – DBX 163X compressor – DBX 163A compressor – TK BC1-S Stereo bus compressor
FX:
TC Electronic M5000 – Lexicon PCM90 – Yamaha SPX90 (x2) – Yamaha SPX990 – Roland SRV-330 (x2)
MICHROPHONES:
Soundeluxe ELUX 251 – Coles 4038 Ribbon (x2) – Thuresson U47 – Neumann TLM103 – Stager SR1A Ribbon (x2) – Stager SR2n Ribbon (x2)